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Without any clearly distinguishable style, they evoke the furniture of the nineteenth century, the attributes of the bourgeoisie, political symbols of a declined era, object of everyday use or ambiguous, anachronistic, mundane-looking elements of unusual size with unknown function, usage, or meaning, yet movingly intimate. News from Nowhere is a familiar yet mysterious set of artefacts reifying the process of identification, a riddle to which only she has the keys and codes although generic enough to immediately recall upon the viewers own memories.

Owing to the painter and teacher Ferenc Lantos, enamel as a material and medium had an important role in their joint endeavours between 1969 and 1971.