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Falckenberg was honored for his collection in 2009 with the Art Cologne Prize. Though Roskos new works are attached in many ways to his characteristic painting universe, they show a significant alteration to his earlier works. The new, larger scaled compositions avoid narrativity, they are rather based on signs and the connections between them. As before, the roots of the motifs are the visual topoi of the universal human culture, supplemented with everyday household objects.

There is a peculiar, anthropomorphic formation recurring on several paintings, which Rosko also realized in a three-dimensional form, as a ceramic installation.